王俠軍《新・典》藝術沙龍|從生存美學到當代白瓷創作
2026年9月,當代白瓷藝術家王俠軍於上海和平飯店《新・典》瓷器藝術特展期間舉辦藝術沙龍,分享從玻璃藝術轉向白瓷的創作歷程,並從生存美學、窯火工藝、作品故事與現代茶器,探討器物如何承載生命經驗。



















Receiving a guest who matters
Dragon's Ascent on the table before the guest arrives — teapot at center, cup to the side, dragon in motion above both. The occasion has been set before anything is said. Tea, coffee, or a small pour of something celebratory: the drink is secondary to what the objects have already communicated.
The study or display space
When not in use, the teapot and cup set holds its presence on a shelf or display surface. The teapot's dragon handle is the visual event; the cup beside it completes the composition. This is a set that continues to reward being looked at over time — the longer it is lived with, the more natural its presence becomes.
Retirement, significant milestones, corporate presentation gifts
Dragon's Ascent Tea Set carries the weight appropriate to a gift given at a moment that marks something permanent. The dragon's cultural resonance — forward momentum, the energy of a life well directed — combined with the daily usability of a teapot and cup, means this gift will be used, not stored. It will be present at the table for years after the occasion that prompted it.

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Heinrich Wang, founder of NewChi Porcelain and Tittot, is one of Taiwan’s most representative contemporary artists in white porcelain and liuli glass. Renowned for infusing philosophy and poetry into object design, his works have been exhibited at the National Museum of History in Taiwan, the Taiwan Craft Research and Development Institute, and the Triennale di Milano, earning recognition from collectors worldwide. Every porcelain piece is personally overseen by Wang, offering an aesthetic choice that unites artistry, cultural depth, and practical function.